#or ashley did

[stellacaerulea]

Coming back from the club in the morning be like

[ludinusdaleth]

the first touch of godflesh: imri asmodeus & luz sarenrae

-Critical Role Campaign 3, Episode 99, "Downfall Part One"

[floweroflaurelin]

Please, please, please. If anything is possible, let this be possible.

—

The whole hospital sequence last week broke my heart, and now I can’t believe it’s almost over 😭😭 I was so busy this week but I finished this just in time! Now I can clear my brain and have room for all the paintings I’ll want to do of tonight’s episode :D

[accirax]

a collection of DCAS memes so far

[shorthaltsjester]

Why are your children bound by rules you will not follow?

Critical Role, Campaign 3, Downfall Parts 1-3 // Commandments of The Prime Deities according to the Tal'Dorei Campaign Setting Reborn

[dearabsolutelynoone]

Simone Ashley and Jonathan Bailey for ‘Bridgerton’ Season 3

[tomatoart]

when ur circle small but yall crazy

[sic-vita]

JONATHAN BAILEY - Bridgerton s3 vs Fellow Travelers

"The fascinating thing about Tim is that ... I wanted to explore the pain and the discomfort in his own skin. I'd seen these sorts of characters - doe-eyed, soft and overly generous characters - and I just felt with him instinctively that he was a really complicated character and also it was a complete 180 from Anthony Bridgerton. More than anything, it's a great thrill to be able to go from a straight lead to a gay romance." - Jonathan Bailey, The Jess Cagle Show

"It's such a testament to Jonny's talent that he was so ... invested in Bridgerton but then showed up in such a profound way for Fellow Travelers too, you would never know that he was shooting three things at the same time." - Matt Bomer, The Jess Cagle Show

[meyerlansky]

now, seein' as you like to do your fighting at night...

[utilitycaster]

little unexplained things can be future plot hooks but sometimes they are just details that make the world seem real. This is a big part of why I don't think every character in a D&D game who plays an instrument should multiclass into bard - some people just play instruments in this world! What does that look like? what are the instruments? What are the musical traditions? And I think this is something Ashley Johnson is exceptionally good at, at playing characters who expand the world without it necessarily having to be part of the plot. Yasha covers an area no one else does. We don't need to know why she's an aasimar or understand it because it tells us a lot about the world and her culture and experience. She isn't a bard but she loves music; she isn't a nature-based class but she loves flowers. Fearne also provides new insight into the feywild. I think people undervalue being really good at embodying a vibe because it sounds surface level but for Ashley it never feels like just aesthetic, it always feels rooted in something.

[fieldghoul]

Rite Here Rite Now, Con Clavi Con Dio/Funiculì, Funiculà Benny Hill-inspired gag scene

[somnimagus]

-blonde horror protagonist's abrupt and incorrect assumptions about blonde people

[id in alt]

[eerizon]

they went out for milkshakes! Claire offered to take the pic :)

[oceanwithouthermoon]

"i dont hate this female character, i just have a nuanced take on her" and the nuanced take is comically stereotypical misogyny

[bearforceone3]

virmire survivor duo doodle for n7 day

[shorthaltsjester]

there are literally no standouts in downfall because everyone sat down at that table and said hey you wanna see something cool and proceeded to Become their characters but idk if it’s because they’re beside each other and that aids the dynamic or just because it’s the delicious similarities and insurmountable distance between the god of death and the god of (in various ways) life but ayden and emhira’s interactions were so chewy and delicious. i’ll be thinking of their exchange fairly early on after ayden cast lesser restoration on that old man and emhira not cruelly but just simply stating “you cannot heal everything.” and ayden’s equally simple reply “we can always try.” emhira seeing the family trist has built and wondering at the presence of children, “surprised there is laughter in such a horrible place” and i know she’s speaking of hawk’s hill but i wonder if she is also speaking of exandria itself in some ways. the delicious space between in and out of character that only really happens in improv stories where as brennan is narrating and says “in this dark room” and nick interrupts and adds “it is not dark.” brennan’s incisive point in the cooldown that while the love that ayden and trist have for mortals and for exandria is warm and the kind of love someone would likely Want from gods, there is something maybe more honest or whole about emhira who says . actually these mortals are little shits that will kill you not because they fear you but because they hate you. whose very existence should be (and still often fails to be) a reminder that the gods can be usurped by mortals. the insight nick shared in the cooldown that ayden does not forget emhira’s origins but in a way dismisses them, that the god of death is a different beast. ayden wanting to find. way to save the people of aeor, insisting that the prime deities Win if they can find a way to do so. emhira reminding everyone that death is inevitable (and she does not add anything to clarify that she intends such a statement to only exist for mortals) as she argues for them to work to take down aeor and the people in it. the fact that the god with the most present connection to mortality is also the one given the most explicit clarification that she Is the god we know as SILAHA calls her the matron, brennan’s narration clarifies purvon is her champion, taliesin as asha asks for clarification on the recognition of emhira as a god and prompting the familiar spectre of a woman in a white mask.

i want to be very clear that when i say there are no standouts i Mean it because i’ve been awed and endeared and intrigued by every single character choice everyone made and as always brennan’s narration is so incredibly well suited for the mission impossible greek tragedy vibes that comes with this story and i’m so fucking delighted by the fact that laura, ashley, and taliesin are playing gods that their characters have known quite well in the past. i’m incredibly excited by what we’ve already gotten to see from abubakar, nashir, and nick and cannot imagine what other greatness is to come. i’m psyched to see the relationship between asha and the law bearer and am delighted that (perhaps for now perhaps for the whole arc) it is being seen through the lens of “my wife promised me a visit with apples and all i got was a rock ice emissary”. i also have many incoherent thoughts about the fact that, of the players who appeared as the same character in the opening and the story, taliesin’s ash and asha are the ones whose name remains the most unchanged.

i’m obsessed with the fact that this creature sent as a stand in by the god of law and duty believes his primary gift is love. while there is a certain mourning and sadness to every god we see, that SILAHA has a certain playful whimsy and jofyful curiosity about the world. that the only one of them who has been mortal before stops to steal an imp necklace from the neck of a drunk on the train (and that moment between brennan’s narration that this man will be dead by morning but, with death standing invisible in front of him, he is incapable of seeing it coming, and then laura as emhira breathing in deeply and brennan having that spark a coughing fit. they are Story Telling). asha seeing the erased image of a god, of a family member and saying “there’s a hole in all of us.” brennan narrating “this is a place where they tried to kill a story. it’s a very frightened thing to do.” (and god. the motif of fear. especially given the very present fear felt by the gods in current day exandria. they’re doing insane things in the critical role 3 part departure).

trist reminding ayden “he never tells the truth” and asha contesting “he only tells the truth, it’s just rotting.” emhira and asha both as perhaps the less Good™ much more neutral but doing so in such different ways, asha as bitter and hungry while emhira seems uncomfortable but there’s a familiarity and a certainty in her discomfort with mortality (the law bearer would also be included here but the emissary seems much more like trist and ayden (for now) than emhira or asha). something as insignificant as trist and her husband speaking to their children and affirming that little lies are okay while trist has lead a significant part of her life likely dishonest about who she is. the fact that there’s a certain childlike quality to the emissary who they’re all charged with ensuring makes it to the end of things even if they cannot. the fact that nahal (unclear which god they were, and i’m assuming it’s the first god of death but regardless still an absolutely compelling development in a short amount of time) in those opening moments is horrified by the concept of away which is unfamiliar to them only to soon after look upon their family and say. maybe away was better. Especially if those were words spoken by the god who would one day be replaced. these three episodes are going to haunt me and i’m excited to meet the ghosts.